JJ Abrams on his influences

JJ Abrams, creator of Alias and Lost, has great record so far for taking B-Movie plots and elevating them to another level. I thought this quote about his influences was actually very revealing. I think knowing your influences, and moving past them, is one key to creativity. No matter what you might think of him, he seems very clear about who he is and what he’s doing.

WN: You’ve listed Twilight Zone’s Rod Serling and Aristotle as major inspirations. You told The New York Times last year that anything Rod Serling couldn’t do Aristotle had covered. The influences of both are really evident in Lost. What do you take from each of them?

Abrams: Obviously, Aristotle (is) the structure, the paradigm of storytelling — you know, the beginning, middle and end. The most fundamental rules. . . . You can color it and decorate it and complicate it and talk about it . . . but it comes down to What is your story? What is the beginning? Where are you going?

Rod Serling, for me, is the inspiration for a number of reasons but, fundamentally, he understood that amazing combination of pure pulp and deep character. And the respect he had for character and the audience was enormous. He would write about things that mattered to him in allegory and tell tales about aliens and monsters, but they were almost always about subjects that mattered to him — whether it was the terror of the Russians, whether it was the mystery and fear and hunger for space travel, whether it was racism or politics, or whatever it was he was always grappling with.

 

Disinformation

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Need information about something outside the mainstream? Disinformation is a huge resource for information on conspiracies, paranormal events and alternative history. If you have a question you are afraid to ask, the answer is probably here.

Who else is going to offer information on a secret Egyptian temple hidden in the forests of Oregon?

New Orleans Insane Asylum Patient Records (1882-84)

Insane_Asylum_New_Orleans_1864

These are the records of the New Orleans City Insane Asylum from the late 1800s as provided by the New Orleans Public Library. Every single entry is a short story waiting to be written. This is fascinating reading. The person writing them even passes moral judgment on them in a way that seems odd now, but is very revealing. Even though it was probably written by multiple people, I found myself imagining a single overworked nurse keeping the records.

Here is one example:

Mary Jane, female, colored, about 35 years of age, native of N.O. La., widow, recommended her commitment to the State Insane Asylum, at Jackson, La on November 7th, 1882, finding her suffering from Hallucinations.
This woman is noisy & turbulent. She is a slave to the belief that she has been injured and that her children have been killed. Once before she was arrested & brought to the Parish Prison for the charge of Insanity. Being in doubt, I gave her the benefit of the doubt & released her not insane, but to-day there can be no doubt.

Read them all by clicking here

Selling yourself: marketing yourself with your own personal failures

This is the first part in a series on marketing yourself as a creative person. Obviously every solution won’t work for every person. These are just suggestions on creating an appealing personal narrative that will help you to make you and your work memorable to other people.

FAILURE

To sell yourself, whether in the media or just making yourself memorable to people you meet, you need to create a personal story that sticks. One powerful way to create an instant story for yourself is to point out a failure that contrasts with whatever current success you have.

Our natural tendency as humans is to hide our failings. We want to deny anything that doesn’t fit in with our current perception of ourselves. However, what we find most interesting in other people is what they don’t want us to know about them. Letting people inside some of your failures creates an instant memorable narrative.

Jim Carrey slept in a van when he was growing up. William Carlos Williams was a working doctor. Johnny Depp started out on 21 Jump Street. Bon Jovi sang on the Star Wars Christmas Album.

By the way, failure in the sense I’m using it in this article is not objective failure. Failure in this sense is anything that prevents you from living the creative lifestyle you want to live. If you are a highly paid attorney and you would rather be a novelist, for our purposes, being a lawyer is a failure. (People imagine that successful creative people don’t need to do anything but their art, so any other work is a failure. Sad but true!) If you had a big show at a major New York gallery and didn’t sell a single painting, that is also failure even though getting a gallery show in the first place is a success. If you were homeless last year and are now a rock star, being homeless is a failure even if it wasn’t your fault.

A good exercise is to imagine that you have an incredibly bored and cynical reporter sitting in front of you. He/She has been assigned to do a story on you, but only if there is something interesting to write about. This person already knows about your successes, has read the one paragraph published bio on your website and rolls his/her eyes when you start talking about your future projects. What do you do?

If you got an F in high school English and you just published a story in the New Yorker, it’s a memorable hook. If you worked as a rodeo clown for two summers in high school and you now sing heavy metal music, it’s a great story. The caricature that you drew in your college newspaper that got you expelled, fantastic! The experimental art show you participated in where you played a spermatozoa running headfirst into an egg, wonderful!

The more embarrassing the story, the better. The bigger the contrast between then and now, the better. Don’t be angry about these failures, just smile when you talk about them. You’ve moved past them. They’re part of the story. They’re giving people something to say about you.

Remember, we aren’t trying to give people a look into the truth of your inner-being, we are reducing your life to a three sentence pitch that will get you a story in the paper, on the radio or on TV. We’re giving you an easy to remember hook that will make people want to tell other people about you and your work.
One final bit of advice. Don’t lie. I guarantee you it isn’t necessary. Everybody who does something creative for a living has failed at one time or another. The more personal and unique your failure, the better the story is and the more people will want to see what you’re doing.

The one thing marketing can’t do is make the product better. That’s up to you.

Comic Advice

Directly opposing ideas from two successful people, Ricky Gervais (The Office) and Scott Adams (Dilbert), about how to be successful:

Scott Adams
: "Other people are not like you. If you create cartoons that you like, you’re probably only appealing to other cartoonists. I made that mistake early on in my career when I did a lot of comics that focused on clever puns. If you want to preserve your artistic integrity and vision, that’s fine, but don’t expect to make money doing it."

Ricky Gervais: "We’re making comedy for us and people who are like-minded. We want to do the best we can and if that means leaving behind some people who prefer broad comedy then so be it, because I really don’t care."

Scott Adams: "Your readers care about themselves, not you. Readers will perceive as funny anything that "hits home" even if it isn’t all that clever by any objective standard. Unfortunately the only person you know well enough to "hit home" with on a regular basis is yourself. Write about the situations that you have in common with other people. The common situations can be analogous, not exact. For example, you might have a weird hobby that thrills you but makes others roll their eyes. It doesn’t matter if readers share your hobby, only that they might indulge in something that is also disdained by others. It’s the feeling of disdain that should hit home, not the hobby."

Ricky Gervais
: (About Spinal Tap)  "…Finally I thought that a film had been made for me and nobody else. When I got the chance, I didn’t want to make 10 million people’s fifth-favorite comedy for 10 months, I wanted to make some people’s favorite comedy ever."

When I first read Scott Adams’s advice, I thought he was kidding. It sounds like he doesn’t like his own comic and thinks less of people who do.  Still, I had to stick it in this blog. Creative inspiration from a cynical desire to connect with other people for money is still inspiration.

Of course, I don’t really think Dilbert is funny. And Ricky Gervais has enough money that he never needs to work again.

I guess they’re describing how to create a fad versus how to create something lasting. Any thoughts?

Creative advice from Ed Wood Jr. – conquering the big white glob

Ironically, Ed Wood wrote a book on how to be a successful writer in Hollywood. Here are a few select quotes from Ed Wood on writing.

So you want to be a writer? OK. Be one.

The main idea is to keep writing. No matter what it is. Keep at it because even if your story gets worse, you will be getting better. You’ll sit and dream most of the time, but you must first conquer the big white glob with the typewriter imprints.

It’s terrible to me to hear someone say about someone else’s work, “Ahh, that stinks!” Yet the critic probably couldn’t ink his way out of a paper bag. You put it on paper. Good, bad, or indifferent. At least you had the guts to put it there.

Ed Wood, Jr.

Hollywood Rat Race

Creativity idea: make choices using the story-ability factor

Bored? Boring? Try choosing what you do this weekend not on the basis of what you want to do or what makes sense, but by how much fun it will be to tell as a story later. I call it the “story-ability” factor. Factoring story-ability into your decision-making every once in awhile makes for a better life. The next time someone invites you to go to a bigfoot believer convention, go! Someone wants you to cover their shift as a clown at a charity event? Of course!

Now, the key to this is to end up with a fun story. You have to choose something that even if the actual event is a dud the simple fact that you did it will be interesting. Doing something new and fresh will make you use different parts of your brain and give you something to talk about.

Avoid doing something that will result in a bad story. (Choose things with a high storyability factor and a low drama factor.) Don’t pick up hitchhikers, rob a bank with an old high school buddy or say yes to someone who asks you if you want to see a dead body.

But, when a neighbor asks if you’d like see his collection of Charlie Chaplin memorabilia or go with him to get lunch at a restaurant where the waitresses dress like characters from the Wizard of Oz, say yes. Be forewarned, once you start saying yes to these opportunities, they will start coming more often and you will find yourself agreeing to do more and more them. New and interesting experiences can become addictive.

What am I doing today? Reading The Cat in the Hat to 350 grade school kids while wearing a crazy striped hat. Keep your fingers crossed for me, I have to follow a fire chief in full uniform.

Jack Kerouac On Writing

Allen Ginsberg wanted Jack Kerouac to explain his spontaneous writing method and he wrote out a list of 30 rules called Belief and Technique For Modern Prose.

A few choice examples:

1. Scribbled secret notebooks, and wild typewritten pages, for yr own joy
2. Submissive to everything, open, listening
3. Try never get drunk outside yr own house
4. Be in love with yr life
17. Write in recollection and amazement for yourself
19. Accept loss forever
29. You’re a Genius all the time

Read all his rules here