I often tell young artist who are like, “How can I get past these things?” I’m just like, “For one thing, try doing your very worst work. Do the worst song you can possibly think of. At the very least, you’ll get some idea of what your rules are. At the most, you’re going to get something that’s better than anything you’ve ever done because it has a lot of pure energy.” Nobody going, “That’s not good.” Somebody was going, “Just make it bad. Just make it really bad.” You know, so pure and bad. I have tried that. That works well. Sometimes I clutch on that, too. I think, “No, that’s so bad it’s good.” Go on and on and get yourself twisted up into a language!
I love the idea of purposely doing your worst work to get past a creative block.
As Laurie Anderson says in the quote, you are forced to define what “bad work” is when you do that. What rules are you breaking? Are they your rules or the rules of some objective source?
When doing your worst work, there is no judgment. (Or is it all judgment?) In fact, the criticism in your head fuels what you’re working on. That voice in your head that tells you what you’re doing is bad is suddenly empowered. Instead of shooting down your ideas, it’s coming up with ideas to make it worse!
Of course, good and bad are just tricks of language. Maybe what you do will be too obvious or too obscure, and it will turn out that that is exactly what your work needed. Sometimes our rules are not about producing what is best, but something in our comfort zone.
Doing putrid work relieves you of responsibility for the final work and pushes you over the boundaries of what you’d usually try.
Try doing your absolute worst, definitely no good, all-time stinkeroo, very bad work!